Keynote Speaker
Anies Rasyid Baswedan 是 Karsa CityLab 的智囊團和創始人，該平台匯集了研究、公眾參與和設計，以重新構想包容性的城市未來。作為前雅加達省長（2017-2022 年），他領導世界上最複雜的特大城市之一度過了一個變革時期，將以公民為中心的設計和協作治理置於城市發展的核心。在他的領導下，雅加達因創新的公共空間復興、參與性城市品牌（加上雅加達）和永續交通舉措而獲得了國際認可。 Anies 繼續倡導設計作為民主的工具—連接政策、規劃和人民。
Anies Rasyid Baswedan is the Braintrust and Founder of Karsa CityLab, a platform that brings together research, public participation, and design to reimagine inclusive urban futures. He led one of the world's most complex megacities through a transformative period, placing citizen-centered design and collaborative governance at the heart of urban development. Anies is known for his work on public space revitalization, participatory city branding (Plus Jakarta), and sustainable transport initiatives. He continues to champion design as a tool for democracy,bridging policy, planning, and people.
Urich Lau 是一位視覺藝術家、獨立策展人與藝術教育者，現居新加坡。他擁有澳洲皇家墨爾本理工大學（RMIT）的藝術碩士學位。
他的創作聚焦於錄像藝術、攝影與媒體藝術，作品曾在新加坡及國際間展出，涵蓋國家包括阿根廷、澳洲、加拿大、中國、法國、德國、希臘、香港、印尼、義大利、日本、約旦、馬來西亞、紐西蘭、菲律賓、南韓、塞爾維亞、台灣、泰國、烏克蘭、英國、美國以及烏茲別克。
Urich 的策展計畫包括：新加坡國家美術館的《Negentropic Fields》（2020）、台南美術館的《SUPER–TRAJECTORY》（2019）以及新加坡藝術科學博物館（2020）、新加坡藝術週的《新禮坊藝術駐村計畫 Sim Lim Square Art Residency》（2018）、新加坡 DECK 舉辦的《METAGRAPHY》（2017）與台北 MEME Space（2017）、新加坡 Gillman Barracks 與首爾當代藝術總合美術館（Total Museum of Contemporary Art）合作的《首爾／新加坡開放媒體藝術節 Seoul/Singapore Open Media Art Festival》（2015、2017）、新加坡當代藝術學院（Institute of Contemporary Arts Singapore）的《Videologue》（2012）以及新加坡 The Substation 的《Videology》（2008）。
Urich 同時是藝術團體 INTER–MISSION 與工作室 Hothouse 的創始成員。
Urich Lau is a visual artist, independent curator and arts educator based in Singapore. He holds a Master of Fine Arts degree from Royal Melbourne Institute of Technology.
Focusing on video art, photography and media art, Urich has presented his works in Singapore and internationally including Argentina, Australia, Canada, China, France, Germany, Greece, Hong Kong, Indonesia, Italy, Japan, Jordan, Malaysia, New Zealand, Philippines, South Korea, Serbia, Taiwan, Thailand, Ukraine, UK, US and Uzbekistan.
Urich's curatorial projects include Negentropic Fields at National Gallery Singapore (2020), SUPER–TRAJECTORY at Tainan Art Museum (2019) and ArtScience Museum in Singapore (2020), Sim Lim Square Art Residency for the Singapore Art Week (2018), METAGRAPHY at DECK in Singapore (2017) and MEME Space in Taipei (2017), Seoul/Singapore Open Media Art Festival at Gillman Barracks in Singapore (2015) and Total Museum of Contemporary Art in Seoul (2017), Videologue at Institute of Contemporary Arts Singapore (2012), and Videology at The Substation in Singapore (2008).
Urich is a founding member of the art collective INTER–MISSION and the studio Hothouse.